{"id":7342,"date":"2011-09-03T18:35:39","date_gmt":"2011-09-03T18:35:39","guid":{"rendered":"http:\/\/www.tunaespana.com\/wp\/?page_id=7342"},"modified":"2016-03-22T18:40:05","modified_gmt":"2016-03-22T18:40:05","slug":"acordes-guitarra-bandurria-cuatro-venezolano-charango-timple-tiple-flauta-quena-ukelele","status":"publish","type":"page","link":"https:\/\/www.tunaespana.es\/?page_id=7342","title":{"rendered":"Acordes (Cuatro Venezolano; Cuatro Puertorrique\u00f1o, Bandurria, Guitarra, Charango; Timple Canario; Ukulele; Guitarron Mexicano, Vihuela) ; Tabla Para cambio de Tono"},"content":{"rendered":"

\"01<\/a><\/p>\n

.<\/span><\/p>\n

Tabla Para cambio de Tono<\/strong><\/span><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n\n\n
DO<\/strong><\/span><\/td>\nDo#<\/span><\/span>(Reb)<\/span><\/span><\/td>\nRe<\/span><\/span><\/td>\nRe#<\/span> <\/span>(Mib)<\/span><\/span><\/td>\nMi<\/span><\/span><\/td>\nFa<\/span><\/span><\/td>\nFa#<\/span> <\/span>(Solb)<\/span><\/span><\/td>\nSol<\/span><\/span><\/td>\nSol#<\/span><\/span>(lab)<\/span><\/span><\/td>\nLa<\/span><\/span><\/td>\nLa#<\/span> <\/span>(Sib)<\/span><\/span><\/td>\nSi<\/span><\/span><\/td>\nDO<\/strong><\/span><\/td>\n<\/td>\n<\/tr>\n
LA<\/strong><\/span><\/td>\nLa#<\/span><\/span><\/td>\nSi<\/span><\/span><\/td>\nDo<\/span><\/span><\/td>\nDo#<\/span><\/span><\/td>\nRe<\/span><\/span><\/td>\nRe#<\/span><\/span><\/td>\nMi<\/span><\/span><\/td>\nFa<\/span><\/span><\/td>\nFa#<\/span><\/span><\/td>\nSol<\/span><\/span><\/td>\nSol#<\/span><\/span><\/td>\nLA<\/strong><\/span><\/td>\n<\/td>\n<\/tr>\n
RE<\/strong><\/span><\/td>\nRe#<\/span><\/span><\/td>\nMi<\/span><\/span><\/td>\nFa<\/span><\/span><\/td>\nFa#<\/span><\/span><\/td>\nSol<\/span><\/span><\/td>\nSol#<\/span><\/span><\/td>\nLa<\/span><\/span><\/td>\nLa#<\/span><\/span><\/td>\nSi<\/span><\/span><\/td>\nDo<\/span><\/span><\/td>\nDo#<\/span><\/span><\/td>\nRE<\/strong><\/span><\/td>\n<\/td>\n<\/tr>\n
MI<\/strong><\/span><\/td>\nFa<\/span><\/span><\/td>\nFa#<\/span><\/span><\/td>\nSol<\/span><\/span><\/td>\nSol#<\/span><\/span><\/td>\nLa<\/span><\/span><\/td>\nLa#<\/span><\/span><\/td>\nSi<\/span><\/span><\/td>\nDo<\/span><\/span><\/td>\nDo#<\/span><\/span><\/td>\nRe<\/span><\/span><\/td>\nRe#<\/span><\/span><\/td>\nMI<\/strong><\/span><\/td>\n<\/td>\n<\/tr>\n
SOL<\/strong><\/span><\/td>\nSol#<\/span><\/span><\/td>\nLa<\/span><\/span><\/td>\nLa#<\/span><\/span><\/td>\nSi<\/span><\/span><\/td>\nDo<\/span><\/span><\/td>\nDo#<\/span><\/span><\/td>\nRe<\/span><\/span><\/td>\nRe#<\/span><\/span><\/td>\nMi<\/span><\/span><\/td>\nFa<\/span><\/span><\/td>\nFa#<\/span><\/span><\/td>\nSOL<\/strong><\/span><\/td>\n<\/td>\n<\/tr>\n
SI<\/strong><\/span><\/td>\nDo<\/span><\/span><\/td>\nDo#<\/span><\/span><\/td>\nRe<\/span><\/span><\/td>\nRe#<\/span><\/span><\/td>\nMi<\/span><\/span><\/td>\nFa<\/span><\/span><\/td>\nFa#<\/span><\/span><\/td>\nSol<\/span><\/span><\/td>\nSol#<\/span><\/span><\/td>\nLa<\/span><\/span><\/td>\nLa#<\/span><\/span><\/td>\nSI<\/strong><\/span><\/td>\n<\/td>\n<\/tr>\n
FA<\/strong><\/span><\/td>\nFa#<\/span><\/span><\/td>\nSol<\/span><\/span><\/td>\nSol#<\/span><\/span><\/td>\nLa<\/span><\/span><\/td>\nLa#<\/span><\/span><\/td>\nSi<\/span><\/span><\/td>\nDo<\/span><\/span><\/td>\nDo#<\/span><\/span><\/td>\nRe<\/span><\/span><\/td>\nRe#<\/span><\/span><\/td>\nMi<\/span><\/span><\/td>\nFA<\/strong><\/span><\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n


\n<\/span><\/p>\n

Acordes Cuatro Venezolano<\/span><\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
<\/td>\nTono Mayor<\/span><\/td>\nTono Menor<\/span><\/td>\nSeptima<\/span><\/td>\nSexta<\/span><\/td>\n6\u00aa menor<\/span><\/td>\n7\u00aa menor<\/span><\/td>\n7\u00aa Mayor<\/span><\/td>\nDisminuid<\/span><\/td>\n<\/tr>\n
La<\/span><\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n<\/tr>\n
La#<\/span>
\n Sib<\/span><\/td>\n		\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n<\/tr>\n
Si<\/span><\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n<\/tr>\n
Do<\/span><\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n<\/tr>\n
Do#<\/span>
\n Reb<\/span><\/td>\n		\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n<\/tr>\n
Re<\/span><\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n<\/tr>\n
Re#<\/span>
\n Mib<\/span><\/td>\n		\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n<\/tr>\n
Mi<\/span><\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n<\/tr>\n
Fa<\/span><\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n<\/tr>\n
Fa#<\/span>
\n Solb<\/span><\/td>\n		\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n<\/tr>\n
Sol<\/span><\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n<\/tr>\n
Sol#<\/span>
\n Lab<\/span><\/td>\n		\"\"<\/span><\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

 <\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
<\/td>\nPrimera Posici\u00f3n<\/span><\/td>\nSegunda Posici\u00f3n<\/span><\/td>\nTercera Posici\u00f3n<\/span><\/td>\n<\/tr>\n
La<\/span><\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n<\/tr>\n
La#<\/span>
\n Sib<\/span><\/td>\n		\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n<\/tr>\n
Si<\/span><\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n<\/tr>\n
Do<\/span><\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n<\/tr>\n
Do#<\/span>
\n Reb<\/span><\/td>\n		\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n<\/tr>\n
Re<\/span><\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n<\/tr>\n
Re#<\/span>
\n Mib<\/span><\/td>\n		\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n<\/tr>\n
Mi<\/span><\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n<\/tr>\n
Fa<\/span><\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n<\/tr>\n
Fa#<\/span>
\n Solb<\/span><\/td>\n		\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n<\/tr>\n
Sol<\/span><\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n<\/tr>\n
Sol#<\/span>
\n Lab<\/span><\/td>\n		\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u00a0.<\/span><\/p>\n

Acordes Cuatro Puertorrique\u00f1o<\/strong><\/span><\/p>\n

.<\/p>\n

Acordes para el cuatro\r\nPrimero recuerda afinar<\/strong><\/span> bien el cuatro.\r\n1ra - 2da - 3ra - 4ta - 5ta\r\n<\/span>SOL<\/a>-G<\/a> RE<\/a>-D<\/a>  LA<\/a>-A<\/a>  MI<\/a>-E<\/a>  SI<\/a>-B<\/a>\r\n\r\nMayores\r\n\r\n         DO<\/a>     RE<\/a>     MI<\/a>     FA<\/a>     SOL<\/a>    LA<\/a>     SI<\/a>\r\nG|-------0-------------1------2------0------2----------------------|<\/em>\r\nD|-------2------0------2------3------0------2------1---------------|<\/em>\r\nA|-------3------0------2------3------2------4------2---------------|<\/em>\r\nE|--------------2--------------------3-------------2---------------|<\/em>\r\nB|--------------3--------------------------------------------------|<\/em>\r\n\r\nMenores\r\n\r\n         DO<\/a>          RE<\/a>     MI<\/a>      FA<\/a>    SOL<\/a>          LA<\/a>         SI<\/a>                           \r\nG|-------0-------------0------1------0------2----------------------|<\/em>\r\nD|-------1------0------2------3------0------2------0---------------|<\/em>\r\nA|-------3------0------2------3------1------3------2---------------|<\/em>\r\nE|--------------1--------------------3-------------2---------------|<\/em>\r\nB|--------------3--------------------------------------------------|\r\n.<\/span>\r\n.<\/span>\r\n<\/em><\/pre>\n
Acordes para bandurria<\/strong><\/span><\/p>\n
\n
A pesar de los puristas en el tema, tenemos una lista de acordes para bandurria, muy \u00fatiles para \u00abparches hostiles\u00bb, con la\u00a06\u00aa cuerda afinada en <\/strong>la<\/em> (en vez del usual <\/strong>sol#<\/em>), lo cual simplifica bastante, en general, las posiciones de la mano izquierda y permite tocar mas <\/strong>acordes utilizando las seis cuerdas (se\u00f1alados en azul).
\nLa afinaci\u00f3n de la bandurria queda entonces (de 1\u00aa a 6\u00aa): <\/span><\/strong>la, mi, si, fa<\/em>#, do<\/em>#, la.<\/em><\/span><\/span><\/p>\n
\u00a0Diapason Bandurria<\/span><\/strong><\/span><\/p>\n
\"\"<\/a><\/p>\n
 <\/p>\n
 <\/p>\n
\"\"\"\"\"\"\"\"<\/p>\n
\n\n\n\n
\"\"\"\"\"\"\"\"<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n
\"\"\"\"\"\"\"\"<\/p>\n
\"\"\"\"\"\"<\/p>\n
\"\"\"\"\"\"<\/p>\n
 <\/p>\n
\"\"\"\"\"\"<\/p>\n\n\n\n
\"\"\"\"\"\"<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\"\"\"\"\"\"\"\"<\/p>\n
 <\/p>\n
\u00a0<\/strong><\/span><\/p>\n
Acordes Guitarra<\/span><\/strong><\/span><\/span><\/p>\n
 <\/p>\n
Diapason Guitarra<\/strong><\/span><\/p>\n
\"\"<\/a><\/p>\n
 <\/p>\n
\"[ACORDES+PARA+GUITARRA.JPG]\"<\/p>\n
\"\"<\/p>\n
 <\/p>\n
 <\/p>\n
Tablatura de acordes b\u00e1sicos para el charango <\/span><\/strong><\/p>\n
\"\"<\/p>\n
 <\/p>\n
Acordes para Timple Canario<\/strong><\/span><\/p>\n
\"\"<\/p>\n
 <\/p>\n
Acordes Basicos \u00a0Ukulele<\/span><\/strong><\/span><\/p>\n
 <\/p>\n
ACORDES MAYORES<\/strong><\/span><\/p>\n\n\n\n
La<\/small>
\n\"\"<\/a><\/td>\n		La#<\/sup>
\nSib<\/sup><\/small>
\n\"\"<\/a><\/td>\n		Si<\/small>
\n\"\"<\/a><\/td>\n		Do<\/small>
\n\"\"<\/a><\/td>\n		Do#<\/sup>
\nReb<\/sup><\/small>
\n\"\"<\/a><\/td>\n		Re<\/small>
\n\"\"<\/a><\/td>\n		Re#<\/sup>
\nMib<\/sup><\/small>
\n\"\"<\/a><\/td>\n		Mi<\/small>
\n\"\"<\/a><\/td>\n		Fa<\/small>
\n\"\"<\/a><\/td>\n		Fa#<\/sup>
\nSolb<\/sup><\/small>
\n\"\"<\/a><\/td>\n		Sol<\/small>
\n\"\"<\/a><\/td>\n		Sol#<\/sup>
\nLab<\/sup><\/small>
\n\"\"<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
ACORDES MENORES<\/strong><\/span><\/p>\n\n\n\n
Lam<\/small>
\n\"\"<\/a><\/td>\n		La#<\/sup>m
\nSib<\/sup>m<\/small>
\n\"\"<\/a><\/td>\n		Sim<\/small>
\n\"\"<\/a><\/td>\n		Dom<\/small>
\n\"\"<\/a><\/td>\n		Do#<\/sup>m
\nReb<\/sup>m<\/small>
\n\"\"<\/a><\/td>\n		Rem<\/small>
\n\"\"<\/a><\/td>\n		Re#<\/sup>m
\nMib<\/sup>m<\/small>
\n\"\"<\/a><\/td>\n		Mim<\/small>
\n\"\"<\/a><\/td>\n		Fam<\/small>
\n\"\"<\/a><\/td>\n		Fa#<\/sup>m
\nSolb<\/sup>m<\/small>
\n\"\"<\/a><\/td>\n		Solm<\/small>
\n\"\"<\/a><\/td>\n		Sol#<\/sup>m
\nLab<\/sup>m<\/small>
\n\"\"<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
ACORDES \u00a0CON S\u00c9PTIMA MENOR<\/strong><\/span><\/p>\n\n\n\n
La7<\/small><\/small>
\n\"\"<\/a><\/td>\n		La#<\/sup>7<\/small>
\nSib<\/sup>7<\/small><\/small>
\n\"\"<\/a><\/td>\n		Si7<\/small><\/small>
\n\"\"<\/a><\/td>\n		Do7<\/small><\/small>
\n\"\"<\/a><\/td>\n		Do#<\/sup>7<\/small>
\nReb<\/sup>7<\/small><\/small>
\n\"\"<\/a><\/td>\n		Re7<\/small><\/small>
\n\"\"<\/a><\/td>\n		Re#<\/sup>7<\/small>
\nMib<\/sup>7<\/small><\/small>
\n\"\"<\/a><\/td>\n		Mi7<\/small><\/small>
\n\"\"<\/a><\/td>\n		Fa7<\/small><\/small>
\n\"\"<\/a><\/td>\n		Fa#<\/sup>7<\/small>
\nSolb<\/sup>7<\/small><\/small>
\n\"\"<\/a><\/td>\n		Sol7<\/small><\/small>
\n\"\"<\/a><\/td>\n		Sol#<\/sup>7<\/small>
\nLab<\/sup>7<\/small><\/small>
\n\"\"<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
ACORDES \u00a0CON S\u00c9PTIMA MAYOR<\/strong><\/span><\/p>\n\n\n\n
LaM7<\/small><\/small>
\n\"\"<\/a><\/td>\n		La#<\/sup>M7<\/small>
\nSib<\/sup>M7<\/small><\/small>
\n\"\"<\/a><\/td>\n		SiM7<\/small><\/small>
\n\"\"<\/a><\/td>\n		DoM7<\/small><\/small>
\n\"\"<\/a><\/td>\n		Do#<\/sup>M7<\/small>
\nReb<\/sup>M7<\/small><\/small>
\n\"\"<\/a><\/td>\n		ReM7<\/small><\/small>
\n\"\"<\/a><\/td>\n		Re#<\/sup>M7<\/small>
\nMib<\/sup>M7<\/small><\/small>
\n\"\"<\/a><\/td>\n		MiM7<\/small><\/small>
\n\"\"<\/a><\/td>\n		FaM7<\/small><\/small>
\n\"\"<\/a><\/td>\n		Fa#<\/sup>M7<\/small>
\nSolb<\/sup>M7<\/small><\/small>
\n\"\"<\/a><\/td>\n		SolM7<\/small><\/small>
\n\"\"<\/a><\/td>\n		Sol#<\/sup>M7<\/small>
\nLab<\/sup>M7<\/small><\/small>
\n\"\"<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
ACORDES MENORES CON S\u00c9PTIMA MENOR<\/strong><\/span><\/p>\n\n\n\n
Lam7<\/small><\/small>
\n\"\"<\/a><\/td>\n		La#<\/sup>m7<\/small>
\nSib<\/sup>m7<\/small><\/small>
\n\"\"<\/a><\/td>\n		Sim7<\/small><\/small>
\n\"\"<\/a><\/td>\n		Dom7<\/small><\/small>
\n\"\"<\/a><\/td>\n		Do#<\/sup>m7<\/small>
\nReb<\/sup>m7<\/small><\/small>
\n\"\"<\/a><\/td>\n		Rem7<\/small><\/small>
\n\"\"<\/a><\/td>\n		Re#<\/sup>m7<\/small>
\nMib<\/sup>m7<\/small><\/small>
\n\"\"<\/a><\/td>\n		Mim7<\/small><\/small>
\n\"\"<\/a><\/td>\n		Fam7<\/small><\/small>
\n\"\"<\/a><\/td>\n		Fa#<\/sup>m7<\/small>
\nSolb<\/sup>m7<\/small><\/small>
\n\"\"<\/a><\/td>\n		Solm7<\/small><\/small>
\n\"\"<\/a><\/td>\n		Sol#<\/sup>m7<\/small>
\nLab<\/sup>m7<\/small><\/small>
\n\"\"<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
ACORDES \u00a0CON SEXTA MAYOR<\/span><\/strong><\/p>\n\n\n\n
La6<\/small><\/small>
\n\"\"<\/a><\/td>\n		La#<\/sup>6<\/small>
\nSib<\/sup>6<\/small><\/small>
\n\"\"<\/a><\/td>\n		Si6<\/small><\/small>
\n\"\"<\/a><\/td>\n		Do6<\/small><\/small>
\n\"\"<\/a><\/td>\n		Do#<\/sup>6<\/small>
\nReb<\/sup>6<\/small><\/small>
\n\"\"<\/a><\/td>\n		Re6<\/small><\/small>
\n\"\"<\/a><\/td>\n		Re#<\/sup>6<\/small>
\nMib<\/sup>6<\/small><\/small>
\n\"\"<\/a><\/td>\n		Mi6<\/small><\/small>
\n\"\"<\/a><\/td>\n		Fa6<\/small><\/small>
\n\"\"<\/a><\/td>\n		Fa#<\/sup>6<\/small>
\nSolb<\/sup>6<\/small><\/small>
\n\"\"<\/a><\/td>\n		Sol6<\/small><\/small>
\n\"\"<\/a><\/td>\n		Sol#<\/sup>6<\/small>
\nLab<\/sup>6<\/small><\/small>
\n\"\"<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
ACORDES MENORES CON SEXTA MAYOR<\/strong><\/span><\/p>\n\n\n\n
Lam6<\/small><\/small>
\n\"\"<\/a><\/td>\n		La#<\/sup>m6<\/small>
\nSib<\/sup>m6<\/small><\/small>
\n\"\"<\/a><\/td>\n		Sim6<\/small><\/small>
\n\"\"<\/a><\/td>\n		Dom6<\/small><\/small>
\n\"\"<\/a><\/td>\n		Do#<\/sup>m6<\/small>
\nReb<\/sup>m6<\/small><\/small>
\n\"\"<\/a><\/td>\n		Rem6<\/small><\/small>
\n\"\"<\/a><\/td>\n		Re#<\/sup>m6<\/small>
\nMib<\/sup>m6<\/small><\/small>
\n\"\"<\/a><\/td>\n		Mim6<\/small><\/small>
\n\"\"<\/a><\/td>\n		Fam6<\/small><\/small>
\n\"\"<\/a><\/td>\n		Fa#<\/sup>m6<\/small>
\nSolb<\/sup>m6<\/small><\/small>
\n\"\"<\/a><\/td>\n		Solm6<\/small><\/small>
\n\"\"<\/a><\/td>\n		Sol#<\/sup>m6<\/small>
\nLab<\/sup>m6<\/small><\/small>
\n\"\"<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
ACORDES \u00a0CON NOVENA MENOR<\/strong><\/span><\/p>\n\n\n\n
La9<\/small><\/small>
\n\"\"<\/a><\/td>\n		La#<\/sup>9<\/small>
\nSib<\/sup>9<\/small><\/small>
\n\"\"<\/a><\/td>\n		Si9<\/small><\/small>
\n\"\"<\/a><\/td>\n		Do9<\/small><\/small>
\n\"\"<\/a><\/td>\n		Do#<\/sup>9<\/small>
\nReb<\/sup>9<\/small><\/small>
\n\"\"<\/a><\/td>\n		Re9<\/small><\/small>
\n\"\"<\/a><\/td>\n		Re#<\/sup>9<\/small>
\nMib<\/sup>9<\/small><\/small>
\n\"\"<\/a><\/td>\n		Mi9<\/small><\/small>
\n\"\"<\/a><\/td>\n		Fa9<\/small><\/small>
\n\"\"<\/a><\/td>\n		Fa#<\/sup>9<\/small>
\nSolb<\/sup>9<\/small><\/small>
\n\"\"<\/a><\/td>\n		Sol9<\/small><\/small>
\n\"\"<\/a><\/td>\n		Sol#<\/sup>9<\/small>
\nLab<\/sup>9<\/small><\/small>
\n\"\"<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
ACORDES \u00a0DISMINUIDOS<\/strong><\/span><\/p>\n\n\n\n
Lam7<\/small>-5<\/sup><\/small>
\n\"\"<\/a><\/td>\n		La#<\/sup>m7<\/small>-5<\/sup>
\nSib<\/sup>m7<\/small>-5<\/sup><\/small>
\n\"\"<\/a><\/td>\n		Sim7<\/small>-5<\/sup><\/small>
\n\"\"<\/a><\/td>\n		Dom7<\/small>-5<\/sup><\/small>
\n\"\"<\/a><\/td>\n		Do#<\/sup>m7<\/small>-5<\/sup>
\nReb<\/sup>m7<\/small>-5<\/sup><\/small>
\n\"\"<\/a><\/td>\n		Rem7<\/small>-5<\/sup><\/small>
\n\"\"<\/a><\/td>\n		Re#<\/sup>m7<\/small>-5<\/sup>
\nMib<\/sup>m7<\/small>-5<\/sup><\/small>
\n\"\"<\/a><\/td>\n		Mim7<\/small>-5<\/sup><\/small>
\n\"\"<\/a><\/td>\n		Fam7<\/small>-5<\/sup><\/small>
\n\"\"<\/a><\/td>\n		Fa#<\/sup>m7<\/small>-5<\/sup>
\nSolb<\/sup>m7<\/small>-5<\/sup><\/small>
\n\"\"<\/a><\/td>\n		Solm7<\/small>-5<\/sup><\/small>
\n\"\"<\/a><\/td>\n		Sol#<\/sup>m7<\/small>-5<\/sup>
\nLab<\/sup>m7<\/small>-5<\/sup><\/small>
\n\"\"<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
ACORDES AUMENTADOS<\/strong><\/span><\/p>\n\n\n\n
Laaug<\/small>
\n\"\"<\/a><\/td>\n		La#<\/sup>aug
\nSib<\/sup>aug<\/small>
\n\"\"<\/a><\/td>\n		Siaug<\/small>
\n\"\"<\/a><\/td>\n		Doaug<\/small>
\n\"\"<\/a><\/td>\n		Do#<\/sup>aug
\nReb<\/sup>aug<\/small>
\n\"\"<\/a><\/td>\n		Reaug<\/small>
\n\"\"<\/a><\/td>\n		Re#<\/sup>aug
\nMib<\/sup>aug<\/small>
\n\"\"<\/a><\/td>\n		Miaug<\/small>
\n\"\"<\/a><\/td>\n		Faaug<\/small>
\n\"\"<\/a><\/td>\n		Fa#<\/sup>aug
\nSolb<\/sup>aug<\/small>
\n\"\"<\/a><\/td>\n		Solaug<\/small>
\n\"\"<\/a><\/td>\n		Sol#<\/sup>aug
\nLab<\/sup>aug<\/small>
\n\"\"<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
ACORDES DISMINUIDOS<\/strong><\/span><\/p>\n\n\n\n
Ladim<\/small>
\n\"\"<\/a><\/td>\n		La#<\/sup>dim
\nSib<\/sup>dim<\/small>
\n\"\"<\/a><\/td>\n		Sidim<\/small>
\n\"\"<\/a><\/td>\n		Dodim<\/small>
\n\"\"<\/a><\/td>\n		Do#<\/sup>dim
\nReb<\/sup>dim<\/small>
\n\"\"<\/a><\/td>\n		Redim<\/small>
\n\"\"<\/a><\/td>\n		Re#<\/sup>dim
\nMib<\/sup>dim<\/small>
\n\"\"<\/a><\/td>\n		Midim<\/small>
\n\"\"<\/a><\/td>\n		Fadim<\/small>
\n\"\"<\/a><\/td>\n		Fa#<\/sup>dim
\nSolb<\/sup>dim<\/small>
\n\"\"<\/a><\/td>\n		Soldim<\/small>
\n\"\"<\/a><\/td>\n		Sol#<\/sup>dim
\nLab<\/sup>dim<\/small>
\n\"\"<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
ACORDES SUS 4<\/strong><\/span><\/p>\n\n\n\n
Lasus4<\/small><\/small>
\n\"\"<\/a><\/td>\n		La#<\/sup>sus4<\/small>
\nSib<\/sup>sus4<\/small><\/small>
\n\"\"<\/a><\/td>\n		Sisus4<\/small><\/small>
\n\"\"<\/a><\/td>\n		Dosus4<\/small><\/small>
\n\"\"<\/a><\/td>\n		Do#<\/sup>sus4<\/small>
\nReb<\/sup>sus4<\/small><\/small>
\n\"\"<\/a><\/td>\n		Resus4<\/small><\/small>
\n\"\"<\/a><\/td>\n		Re#<\/sup>sus4<\/small>
\nMib<\/sup>sus4<\/small><\/small>
\n\"\"<\/a><\/td>\n		Misus4<\/small><\/small>
\n\"\"<\/a><\/td>\n		Fasus4<\/small><\/small>
\n\"\"<\/a><\/td>\n		Fa#<\/sup>sus4<\/small>
\nSolb<\/sup>sus4<\/small><\/small>
\n\"\"<\/a><\/td>\n		Solsus4<\/small><\/small>
\n\"\"<\/a><\/td>\n		Sol#<\/sup>sus4<\/small>
\nLab<\/sup>sus4<\/small><\/small>
\n\"\"<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
ACORDES SUS 4 CON S\u00c9PTIMA MENOR<\/strong><\/span><\/p>\n\n\n\n
La7<\/small>sus4<\/small><\/small>
\n\"\"<\/a><\/td>\n		La#<\/sup>7<\/small>sus4<\/small>
\nSib<\/sup>7<\/small>sus4<\/small><\/small>
\n\"\"<\/a><\/td>\n		Si7<\/small>sus4<\/small><\/small>
\n\"\"<\/a><\/td>\n		Do7<\/small>sus4<\/small><\/small>
\n\"\"<\/a><\/td>\n		Do#<\/sup>7<\/small>sus4<\/small>
\nReb<\/sup>7<\/small>sus4<\/small><\/small>
\n\"\"<\/a><\/td>\n		Re7<\/small>sus4<\/small><\/small>
\n\"\"<\/a><\/td>\n		Re#<\/sup>7<\/small>sus4<\/small>
\nMib<\/sup>7<\/small>sus4<\/small><\/small>
\n\"\"<\/a><\/td>\n		Mi7<\/small>sus4<\/small><\/small>
\n\"\"<\/a><\/td>\n		Fa7<\/small>sus4<\/small><\/small>
\n\"\"<\/a><\/td>\n		Fa#<\/sup>7<\/small>sus4<\/small>
\nSolb<\/sup>7<\/small>sus4<\/small><\/small>
\n\"\"<\/a><\/td>\n		Sol7<\/small>sus4<\/small><\/small>
\n\"\"<\/a><\/td>\n		Sol#<\/sup>7<\/small>sus4<\/small>
\nLab<\/sup>7<\/small>sus4<\/small><\/small>
\n\"\"<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
 <\/p>\n
Resumen acordes ukulele<\/span><\/strong><\/p>\n
\"\"<\/p>\n
 <\/p>\n
 <\/p>\n
Notas – Acordes para al guitarr\u00f3n<\/span><\/h2>\n
\n
Vamos a utilizar una forma que creo es muy sencilla para poder saber donde estan las notas – acordes en el guitarr\u00f3n.<\/span><\/div>\n
Por principio vamos a imaginar que el guitarr\u00f3n tiene trastos como es el caso de las guitarras y basandonos en esto vamos a crear un sistema muy sencillo.<\/span><\/div>\n
lo primero<\/strong><\/em><\/span><\/div>\n
Nota:<\/strong> es la nota que necesitamos tocar .<\/span><\/div>\n
Grave:<\/strong> es la nota grave de nuestro \u00abacorde\u00bb<\/span><\/div>\n
Agudo:<\/strong> es la nota aguda de nuestro \u00abacorde\u00bb<\/span><\/div>\n
La cuerda 1 es la de abajo que es un \u00abLa – A\u00bb, la mas gruesa de arriba tambi\u00e9n es \u00abLa – A\u00bb y es la n\u00famero 6.<\/em><\/span><\/div>\n
y la\u00a0afinaci\u00f3n completa del guitarr\u00f3n<\/strong> es ( que se me habia olvidado y no lo habia puesto):<\/span><\/div>\n
empezando por la cuerda mas delgada<\/strong><\/span><\/div>\n
A – E – C – G – D – A<\/strong><\/span><\/div>\n
lo que es lo mismo que<\/span><\/div>\n
La – Mi – Do – Sol – Re – La <\/strong><\/span><\/div>\n
Ejemplo para el \u00abacorde\u00bb de C \u00f3 Do:<\/strong><\/span><\/div>\n
para el tono Grave de nuestro \u00abacorde\u00bb debemos pulsar la sexta cuerda en el\u00a0trasto imaginario<\/strong> 3<\/span><\/div>\n
para el tono agudo debemos pulsar la tercer cuerda al aire.<\/span><\/div>\n
y as\u00ed aplicamos para todos los dem\u00e1s para formar nuestros \u00abacordes\u00bb<\/span><\/div>\n
Para los tonos sostenidos solamente debes adelantar 1 traste, al igual que para los bemoles retrocedes 1.<\/strong><\/span><\/div>\n
Recuerda que debemos partir el guitarr\u00f3n en trastos imaginarios para acomodar nuestras notas.<\/span><\/div>\n
Notas \u00f3 acordes para el Guitarr\u00f3n mexicano usado en el mariachi (b\u00e1sico )<\/strong><\/span>
\n<\/strong><\/span><\/div>\n\n\n\n
\n\n\n\n
\n
Nota<\/strong><\/div>\n<\/td>\n
\n\n\n\n\n
\n
Grave<\/strong><\/div>\n<\/td>\n<\/tr>\n
\n\n\n\n
\n
Cuerda<\/strong><\/div>\n<\/td>\n
\n
Trasto<\/strong><\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n
\n\n\n\n\n
\n
Agudo<\/strong><\/div>\n<\/td>\n<\/tr>\n
\n\n\n\n\n
\n
Cuerda<\/strong><\/div>\n<\/td>\n
\n
Trasto<\/strong><\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
\n
C – Do<\/strong><\/div>\n<\/td>\n
\n\n\n\n
\n
6<\/div>\n<\/td>\n
\n
3<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n
\n\n\n\n\n
\n
3<\/div>\n<\/td>\n
\n
Aire<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
\n
D – Re<\/strong><\/div>\n<\/td>\n
\n\n\n\n
\n
5<\/div>\n<\/td>\n
\n
Aire<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n
\n\n\n\n\n
\n
3<\/div>\n<\/td>\n
\n
2<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
\n
E – Mi<\/strong><\/div>\n<\/td>\n
\n\n\n\n
\n
5<\/div>\n<\/td>\n
\n
2<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n
\n\n\n\n\n
\n
2<\/div>\n<\/td>\n
\n
Aire<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
\n
F – Fa<\/strong><\/div>\n<\/td>\n
\n\n\n\n
\n
5<\/div>\n<\/td>\n
\n
3<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n
\n\n\n\n\n
\n
2<\/div>\n<\/td>\n
\n
1<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
\n
G – Sol<\/strong><\/div>\n<\/td>\n
\n\n\n\n
\n
4<\/div>\n<\/td>\n
\n
Aire<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n
\n\n\n\n\n
\n
2<\/div>\n<\/td>\n
\n
3<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
\n
A – La<\/strong><\/div>\n<\/td>\n
\n\n\n\n
\n
1<\/div>\n<\/td>\n
\n
Aire<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n
\n\n\n\n\n
\n
6<\/div>\n<\/td>\n
\n
Aire<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
\n
B – Si<\/strong><\/div>\n<\/td>\n
\n\n\n\n
\n
pendiente<\/div>\n<\/td>\n
\n
pendiente<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n
\n\n\n\n\n
\n
pendiente<\/div>\n<\/td>\n
\n
pendiente<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n
 <\/p>\n
Acordes Vihuela<\/strong><\/span><\/p>\n
\"ACORDES<\/a><\/p>\n
**TRUCO***<\/span>Ademas de ponerles las cuerdas de Vihuela; Tambien Algunos Mariachis<\/strong> se la arreglan con\u00a0 Cuerdas de Guitarra<\/strong> que son las Siguientes:<\/span><\/p>\n
1ERA-2DA-1ERA-2DA-3ERA QUEDANDO EN LA 5TA CUERDA LA 3ERA O BIEN 2DA-3ERA-2DA-3ERA QUDANDO EN LA 5TA CUERDA LA TERCERA<\/span><\/p>\n
.<\/span><\/p>\n
 <\/p>\n
\"\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"
. Tabla Para cambio de Tono DO Do#(Reb) Re Re# (Mib) Mi Fa Fa# (Solb) Sol Sol#(lab) La La# (Sib) Si DO LA La# Si Do Do# Re Re# Mi Fa Fa# Sol Sol# LA RE Re# Mi Fa Fa# Sol Sol# La La# Si Do Do# RE MI Fa Fa# Sol Sol# La La# […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":26,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.tunaespana.es\/index.php?rest_route=\/wp\/v2\/pages\/7342"}],"collection":[{"href":"https:\/\/www.tunaespana.es\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.tunaespana.es\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.tunaespana.es\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tunaespana.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7342"}],"version-history":[{"count":32,"href":"https:\/\/www.tunaespana.es\/index.php?rest_route=\/wp\/v2\/pages\/7342\/revisions"}],"predecessor-version":[{"id":30888,"href":"https:\/\/www.tunaespana.es\/index.php?rest_route=\/wp\/v2\/pages\/7342\/revisions\/30888"}],"wp:attachment":[{"href":"https:\/\/www.tunaespana.es\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7342"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}