{"id":10968,"date":"2012-02-06T17:50:35","date_gmt":"2012-02-06T17:50:35","guid":{"rendered":"http:\/\/www.tunaespana.es\/?p=10968"},"modified":"2012-02-06T17:50:35","modified_gmt":"2012-02-06T17:50:35","slug":"la-vuelta-topochera-acordes-guitarra-letra-cancionero-tunatablaturas-cuatro-folclore-venezolano","status":"publish","type":"post","link":"https:\/\/www.tunaespana.es\/?p=10968","title":{"rendered":"La vuelta topochera (Acordes guitarra) (Letra) Cancionero Tuna;Tablaturas Cuatro; Folclore Venezolano"},"content":{"rendered":"

 <\/p>\n

La vuelta topochera<\/span><\/strong><\/span><\/p>\n

 <\/p>\n

Autor:\u00a0 \u00a0M\u00fasica \u00a0de \u00a0y letra de\u00a0Henry Ascanio y Jos\u00e9 Humberto Castillo<\/span><\/p>\n

Interpretan: \u00a0\u00a0Henry Ascanio y Jos\u00e9 Humberto Castillo<\/span><\/p>\n

Don Dudo \u00a0(www.TunaEspa\u00f1a.es) \u00a0 (www.TunaEspana.com)<\/span><\/p>\n

Ritmo: Joropo<\/span><\/p>\n

Folclore Venezolano<\/span><\/p>\n

Tablaturas Cuatro Venezolano<\/span><\/p>\n

Enlace Youtube:\u00a0Pinche aqui para Escuchar la cancion<\/a><\/span><\/p>\n

 <\/p>\n

 <\/p>\n

INTRO:<\/strong><\/span>
\n\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"
\n<\/strong><\/span>
\n\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"
\n.<\/strong><\/span>
\n <\/strong><\/span>
\n[Jos\u00e9 Humberto Castillo]Hablado:<\/strong><\/span>
\n\u00abSaca parejo Ramonita que esto huele a puro campo.\u00bb<\/strong><\/span>
\n <\/strong><\/span>
\n[La Gandola del verso (Henry Ascanio)]:<\/strong><\/span>
\n <\/strong><\/span>
\n \"\" \"\" \"\" \"\"
\nCompadre<\/span> usted que es cople<\/span>ro vamos a dar por el lla<\/span>no una vuelta topoche<\/span>ra. Para<\/strong><\/span>
\n\"\" \"\" \"\" \"\"\"\"
\nre<\/span>corda esos si<\/span>tios donde se formaban ba<\/span>iles de un d\u00eda y una noche ente<\/span>ra.\u00a0 <\/span><\/strong><\/span>
\n <\/strong><\/span>
\n \"\" \"\" \"\"
\nQue bonitos aquellos tie<\/span>mpos cuando una guitarra gra<\/span>nde era nuestra compa\u00f1e<\/span>ra,<\/strong><\/span>
\n \"\" \"\" \"\" \"\"\"\"
\ny los m\u00fa<\/span>sicos que hab\u00ed<\/span>an la toca<\/span>ban sin floje<\/span>ra.\u00a0 <\/span><\/strong><\/span>
\n<\/strong><\/span>
\n \"\" \"\" \"\"
\nDeber s\u00edo porque ten\u00ed<\/span>an un estilo origina<\/span>l para tocar lo que fue<\/span>ra, <\/strong><\/span>
\n \"\" \"\" \"\" \"\"
\ny si se\u00a0a<\/span>largaba el go<\/span>lpe tocaba<\/span>n de to\u00e1s mane<\/span>ras.<\/strong><\/span>
\n<\/strong><\/span>
\n[Jos\u00e9 Humberto Castillo]<\/strong><\/span>
\n<\/strong><\/span>
\n \"\" \"\" \"\" \"\"
\nTiempo que<\/span> se va no vue<\/span>lve, es un dicho verdade<\/span>ro malaya si yo pudie<\/span>ra,<\/strong><\/span>
\n \"\" \"\" \"\" \"\" \"\"
\na retro<\/span>ceder a esos\u00a0a<\/span>\u00f1os y volverlos a vivi<\/span>r en el banco e’ la galle<\/span>ra. \u00a0 <\/span><\/strong><\/span>
\n<\/strong><\/span>
\n \"\" \"\" \"\"
\ny escuchar a Arturo V\u00e1<\/span>squez en casa de Do\u00f1a Hi<\/span>lda con su guitarra altane<\/span>ra,<\/strong><\/span>
\n \"\" \"\" \"\" \"\" \"\"
\nde media<\/span> noche pal d\u00ed<\/span>a y yo mi<\/span>rando en la ace<\/span>ra. \u00a0 <\/span> <\/strong><\/span>
\n<\/strong><\/span>
\n \"\" \"\" \"\"
\nCantar a Rafael Corre<\/span>a, el pasajito Gise<\/span>la que despu\u00e9s yo me aprendie<\/span>ra,<\/strong><\/span>
\n \"\" \"\" \"\" \"\"
\ny fue el que<\/span> me abri\u00f3 las pue<\/span>rtas en la ca<\/span>nta sabane<\/span>ra.<\/strong><\/span>
\n<\/strong><\/span>
\n[La Gandola del verso] <\/strong><\/span>
\n<\/strong><\/span>
\n \"\" \"\" \"\" \"\"
\nYo una<\/span> vez fui con mi ta<\/span>ita para un baile muy nombr\u00e1<\/span>o por all\u00e1 en la Terece<\/span>ra <\/strong><\/span>
\n \"\" \"\" \"\" \"\" \"\"
\ncerquita<\/span> de La Cule<\/span>bra y me recuerdo clari<\/span>to que all\u00e1 estaba una lumbre<\/span>ra. \u00a0 <\/span> <\/strong><\/span>
\n<\/strong><\/span>
\n \"\" \"\" \"\"
\nEra Don Morocho Co<\/span>ba que cuando soltaba un ve<\/span>rso ya el otro venia pa fue<\/span>ra,<\/strong><\/span>
\n \"\" \"\" \"\" \"\" \"\"
\ny mientra<\/span>s m\u00e1s le toca<\/span>ban m\u00e1s le sa<\/span>l\u00edan por chorre<\/span>ra \u00a0 <\/span> <\/strong><\/span>
\n<\/strong><\/span>
\n \"\" \"\" \"\"
\nY las parejas dec\u00ed<\/span>an dale largo maestro Pe<\/span>dro se prendi\u00f3 la sampable<\/span>ra,<\/strong><\/span>
\n \"\" \"\" \"\" \"\"
\ny Moro<\/span>cho con sus co<\/span>plas peina<\/span>ba su cabelle<\/span>ra.<\/strong><\/span>
\n<\/strong><\/span>
\n[Jos\u00e9 Humberto Castillo]<\/strong><\/span>
\n<\/strong><\/span>
\n \"\" \"\" \"\" \"\"
\nYo tambi\u00e9<\/span>n me acuerdo mu<\/span>cho de los bailorios de Ma<\/span>yo que hac\u00edan en la Torrealbe<\/span>ra,<\/strong><\/span>
\n \"\" \"\" \"\" \"\"\"\"
\ndespu\u00e9s de<\/span> tapa el alta<\/span>r la guitarra e’ Tomas Bla<\/span>nca roncaba como una fie<\/span>ra\u00a0\u00a0 <\/span><\/strong><\/span>
\n<\/strong><\/span>
\n \"\" \"\" \"\"
\nY la catira Toma<\/span>sa para verlo encarniza<\/span>o destapaba una carte<\/span>ra, <\/strong><\/span>
\n \"\" \"\" \"\" \"\" \"\"
\ny al echa<\/span>rse el primer pa<\/span>lo traspasa<\/span>ba las fronte<\/span>ras. \u00a0 <\/span><\/strong><\/span>
\n<\/strong><\/span>
\n \"\" \"\" \"\"
\nTrasportaba el guitarr\u00f3<\/span>n tocaba con las cinco\u00a0u<\/span>\u00f1as el golpe que le pidie<\/span>ran,<\/strong><\/span>
\n \"\" \"\" \"\" \"\"\"\"\"\"
\ny lo que<\/span> hac\u00eda Tomas Bla<\/span>nca eso na<\/span>die lo supe<\/span>ra.\u00a0 <\/span> <\/strong><\/span>
\n<\/strong><\/span>
\n[Pajarillo:]<\/strong><\/span>
\n \"\" \"\" \"\"
\nNo lo supe<\/span>ra, una ve<\/span>z lo mire yo<\/span><\/strong><\/span>
\n \"\" \"\" \"\" \"\"
\ntocando a las primave<\/span>ras afloj\u00f3<\/span> todas las tue<\/span>rcas,\u00a0 <\/span><\/strong><\/span>
\n \"\" \"\"\"\"
\ny le di<\/span>jo a Gaspar Higue<\/span>ra,\u00a0 <\/span><\/strong><\/span>
\n \"\" \"\" \"\"
\nque nadie<\/span> le hab\u00eda ense\u00f1a<\/span>o ninguna nota si quie<\/span>ra<\/strong><\/span>
\n \"\" \"\" \"\"
\nque to<\/span>do lo que el sab\u00ed<\/span>a lo aprendi\u00f3 en esas rive<\/span>ras,<\/strong><\/span>
\n \"\" \"\" \"\"
\npor los la<\/span>os de Marquer\u00ed<\/span>a, y Las Calcetas quien lo vie<\/span>ra,<\/strong><\/span>
\n \"\" \"\" \"\"
\nen ba<\/span>iles de cuatro d\u00ed<\/span>as, l\u00e1stima que se murie<\/span>ra, <\/strong><\/span>
\n \"\" \"\" \"\"\"\"\"\"
\npero to<\/span>dav\u00eda lo escu<\/span>chan tocando en la carrete<\/span>ra.\u00a0 <\/span> <\/strong><\/span>
\n<\/strong><\/span>
\n[La Gandola del verso]<\/strong><\/span>
\n \"\" \"\" \"\" \"\"
\nAy carrete<\/span>ra, recue<\/span>rdo Las Chaguara<\/span>mas y su gente parrande<\/span>ra,<\/strong><\/span>
\n \"\" \"\" \"\"
\nsin exa<\/span>gerarle mu<\/span>cho en Diciembre aquello\u00a0e<\/span>ra,<\/strong><\/span>
\n \"\" \"\" \"\"
\nuna pa<\/span>rranda tend\u00ed<\/span>a con m\u00fasicos de prime<\/span>ra,<\/strong><\/span>
\n \"\" \"\" \"\"
\nventicua<\/span>tro y treinta y\u00a0u<\/span>no era aguardiente y terne<\/span>ra, <\/strong><\/span>
\n \"\" \"\" \"\"
\nmi t\u00ed<\/span>o Abrah\u00e1m y Aquili<\/span>no tocaban de tal mane<\/span>ra,<\/strong><\/span>
\n \"\" \"\" \"\"
\nque ese otro<\/span> d\u00eda amanec\u00ed<\/span>an los parejos viento afue<\/span>ra,<\/strong><\/span>
\n \"\" \"\" \"\"
\nesprimie<\/span>ndo las cami<\/span>sas convertidas en salmue<\/span>ra<\/strong><\/span>
\n \"\" \"\" \"\" \"\"\"\"
\ny del su<\/span>dor compadri<\/span>to llenaban varias ponche<\/span>ras.\u00a0 <\/span> <\/strong><\/span>
\n<\/strong><\/span>
\n[Jos\u00e9 Humberto Castillo]<\/strong><\/span>
\n \"\" \"\" \"\" \"\"
\nQue si varias ponche<\/span>ras, Santa Ro<\/span>sa y San Ram\u00f3<\/span>n a donde Arturo Tabe<\/span>ra, <\/strong><\/span>
\n \"\" \"\" \"\"
\neso\u00a0e<\/span>ra una tradici\u00f3<\/span>n yo vi a Juan Ram\u00f3n Herre<\/span>ra,<\/strong><\/span>
\n \"\" \"\" \"\"
\ncantando<\/span> un contrapunte<\/span>o con Juan de Jes\u00fas Contre<\/span>ras <\/strong><\/span>
\n \"\" \"\" \"\"
\ny los ve<\/span>rsos que se echa<\/span>ban huel\u00edan a puro quese<\/span>ra,<\/strong><\/span>
\n \"\" \"\" \"\"
\nla sala<\/span> se estremec\u00ed<\/span>a y se mec\u00edan las sole<\/span>ras<\/strong><\/span>
\n \"\" \"\" \"\"
\ncuando Vi<\/span>to Colora<\/span>o tocaba una perique<\/span>ra,<\/strong><\/span>
\n \"\" \"\" \"\"
\ncon Josom\u00e9<\/span>s en el cua<\/span>tro y se o\u00eda la gritade<\/span>ra <\/strong><\/span>
\n \"\" \"\" \"\"
\ndale, da<\/span>le, manojo<\/span>so registra tu capote<\/span>ra<\/strong><\/span>
\n \"\" \"\" \"\"\"\"\"\"
\ny \u00e9l les dec\u00ed<\/span>a muerto \u00e9 ri<\/span>sa no veo con la polvace<\/span>ra.\u00a0 <\/span> <\/strong><\/span>
\n<\/strong><\/span>
\n[La Gandola del verso]<\/strong><\/span>
\n \"\" \"\" \"\" \"\"
\nCon la polvace<\/span>ra, Morichali<\/span>to Pere<\/span>\u00f1o eres parte en mi carre<\/span>ra<\/strong><\/span>
\n \"\" \"\" \"\"
\nen una<\/span> Semana Sa<\/span>nta en esa tierra llane<\/span>ra,<\/strong><\/span>
\n \"\" \"\" \"\"
\ncante co<\/span>n Cirilo Hern\u00e1<\/span>ndez, hombre de copla certe<\/span>ra,<\/strong><\/span>
\n \"\" \"\" \"\"
\nde las que<\/span> dejan a\u00a0u<\/span>no mirando pa la cumbre<\/span>ra <\/strong><\/span>
\n \"\" \"\" \"\"
\ny Raymu<\/span>ndo Belisa<\/span>rio yo le dec\u00eda que le die<\/span>ra <\/strong><\/span>
\n \"\" \"\" \"\"\"\"\"\"
\npara que<\/span> su guitarr\u00f3<\/span>n la inspiraci\u00f3n me la abrie<\/span>ra.\u00a0 <\/span> <\/strong><\/span>
\n<\/strong><\/span>
\n \"\" \"\" \"\" \"\"
\nAy me la abrie<\/span>ra, pero que<\/span> va con Ciri<\/span>lo pobre aquel que le metie<\/span>ra <\/strong><\/span>
\n \"\" \"\" \"\"
\nel pico<\/span> contrapunte<\/span>ando, no espere que amanecie<\/span>ra,<\/strong><\/span>
\n \"\" \"\" \"\"
\ntuve que<\/span> dejarlo so<\/span>lo, que la cuerda lo siguie<\/span>ra<\/strong><\/span>
\n \"\" \"\" \"\"
\nya que no<\/span> me dio m\u00e1s cha<\/span>nce, todav\u00eda estar\u00eda en espe<\/span>ra<\/strong><\/span>
\n \"\" \"\" \"\"\"\"\"\"
\nporque se<\/span> peg\u00f3 del so<\/span>n igual que una robele<\/span>ra.\u00a0 <\/span> <\/strong><\/span>
\n<\/strong><\/span>
\n[Jos\u00e9 Humberto Castillo]<\/strong><\/span>
\n \"\" \"\" \"\" \"\"
\nQue una robele<\/span>ra, los baile<\/span>s en La Corru<\/span>ca, viejo Vicente Cabre<\/span>ra<\/strong><\/span>
\n \"\" \"\" \"\"
\nno se lo<\/span>s pelaba na<\/span>die as\u00ed tronara o llovie<\/span>ra<\/strong><\/span>
\n \"\" \"\" \"\"
\ny ten\u00ed<\/span>an m\u00e1s nombramie<\/span>nto que el Hato Mangas Tobe<\/span>ra<\/strong><\/span>
\n \"\" \"\" \"\"
\npor eso<\/span> no los olvi<\/span>do est\u00e1n en mi cartele<\/span>ra,<\/strong><\/span>
\n \"\" \"\" \"\"
\nseria porque<\/span> Ram\u00f3n D\u00ed<\/span>az y su guitarra viaje<\/span>ra<\/strong><\/span>
\n \"\" \"\" \"\"
\na la pa<\/span>r de Florenti<\/span>no tocaba golpe y ranche<\/span>ra<\/strong><\/span>
\n \"\" \"\" \"\"\"\"\"\"
\ny yo lo<\/span>s baile basta<\/span>nte con la hija de Lu\u00eds Herre<\/span>ra.\u00a0 <\/span> <\/strong><\/span>
\n<\/strong><\/span>
\n[La Gandola del verso]<\/strong><\/span>
\n \"\" \"\" \"\" \"\" \"\"\"\"
\nDe Luis Herre<\/span>ra, en carnava<\/span>l San Migue<\/span>l fue testigo de rubie<\/span>ras,\u00a0 <\/span><\/strong><\/span>
\n \"\" \"\" \"\" \"\"
\nsi de rubie<\/span>ras, de Evari<\/span>sto y Cruz Mar\u00ed<\/span>a pele\u00e1ndose una solte<\/span>ra,,<\/strong><\/span>
\n \"\" \"\" \"\"
\nla enamo<\/span>raban canta<\/span>ndo con decencia verdade<\/span>ra,<\/strong><\/span>
\n \"\" \"\" \"\"
\nsin falta<\/span>rle los respe<\/span>tos y sin palabras grose<\/span>ras,<\/strong><\/span>
\n \"\" \"\" \"\"
\nas\u00ed era<\/span>n los bailes de\u00a0a<\/span>ntes, compadre como quisie<\/span>ra,<\/strong><\/span>
\n \"\" \"\" \"\"
\nparrandea<\/span>r en Palma So<\/span>las, Jobo Mocho y la Conche<\/span>ra <\/strong><\/span>
\n \"\" \"\" \"\"
\ny mira<\/span>r de nuevo a Era<\/span>smo, Rafael Mesa y La Pante<\/span>ra ,<\/strong><\/span>
\n \"\" \"\" \"\"
\ncantando<\/span> en una guita<\/span>rra de esas que no se atrinche<\/span>ran,<\/strong><\/span>
\n \"\" \"\" \"\"\"\"\"\"
\ncomo la<\/span> de Pedro Asca<\/span>nio, palo de buena made<\/span>ra.\u00a0 <\/span> <\/strong><\/span>
\n<\/strong><\/span>
\n[Jos\u00e9 Humberto Castillo]<\/strong><\/span>
\n \"\" \"\" \"\" \"\"\"\"\"\"
\nDe muy buena made<\/span>ra, gracias co<\/span>mpadre Gando<\/span>la siga con su cantade<\/span>ra,\u00a0 <\/span><\/strong><\/span>
\n \"\" \"\" \"\" \"\"
\ncon su cantade<\/span>ra, pero ja<\/span>m\u00e1s se le olvi<\/span>de la \u00e9poca que uno vivie<\/span>ra,<\/strong><\/span>
\n \"\" \"\" \"\"
\ncantando<\/span> en una guita<\/span>rra, cortando como tije<\/span>ra,<\/strong><\/span>
\n \"\" \"\" \"\"
\na la te<\/span>la de un joro<\/span>po y aqu\u00ed clavo la bande<\/span>ra,<\/strong><\/span>
\n \"\" \"\" \"\"
\npidiendo<\/span> de coraz\u00f3<\/span>n que se le reconocie<\/span>ra<\/strong><\/span>
\n \"\" \"\" \"\"
\na esta ge<\/span>nte que nombra<\/span>mos en una forma since<\/span>ra,<\/strong><\/span>
\n \"\" \"\" \"\"
\nque no gra<\/span>baron un di<\/span>sco en esta vida si quie<\/span>ra,<\/strong><\/span>
\n \"\" \"\" \"\"
\npero deja<\/span>ron su m\u00fa<\/span>sica regada por donde quie<\/span>ra,<\/strong><\/span>
\n \"\" \"\" \"\"
\nhay uno<\/span>s que ya murie<\/span>ron y a los que quedan quisie<\/span>ra<\/strong><\/span>
\n \"\" \"\" \"\"
\nrendi<\/span>rles este homena<\/span>je con toda esa muchache<\/span>ra,<\/strong><\/span>
\n \"\" \"\" \"\"
\nque hoy en d\u00ed<\/span>a son un eje<\/span>mplo de estas personas pione<\/span>ras<\/strong><\/span>
\n \"\" \"\" \"\"
\ny que vi<\/span>va el guitarr\u00f3<\/span>n que este instrumento no mue<\/span>ra<\/strong><\/span>
\n \"\" \"\" \"\"
\nporque ha s\u00ed<\/span>o fundamenta<\/span>l pa la m\u00fasica llane<\/span>ra. <\/strong><\/span>
\n<\/strong><\/span>
\n\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"<\/strong><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

  La vuelta topochera   Autor:\u00a0 \u00a0M\u00fasica \u00a0de \u00a0y letra de\u00a0Henry Ascanio y Jos\u00e9 Humberto Castillo Interpretan: \u00a0\u00a0Henry Ascanio y Jos\u00e9 Humberto Castillo Don Dudo \u00a0(www.TunaEspa\u00f1a.es) \u00a0 (www.TunaEspana.com) Ritmo: Joropo Folclore Venezolano Tablaturas Cuatro Venezolano Enlace Youtube:\u00a0Pinche aqui para Escuchar la cancion     INTRO: . [Jos\u00e9 Humberto Castillo]Hablado: \u00abSaca parejo Ramonita que esto huele […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[711,710,30,263,19],"tags":[],"_links":{"self":[{"href":"https:\/\/www.tunaespana.es\/index.php?rest_route=\/wp\/v2\/posts\/10968"}],"collection":[{"href":"https:\/\/www.tunaespana.es\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.tunaespana.es\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.tunaespana.es\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tunaespana.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10968"}],"version-history":[{"count":1,"href":"https:\/\/www.tunaespana.es\/index.php?rest_route=\/wp\/v2\/posts\/10968\/revisions"}],"predecessor-version":[{"id":10969,"href":"https:\/\/www.tunaespana.es\/index.php?rest_route=\/wp\/v2\/posts\/10968\/revisions\/10969"}],"wp:attachment":[{"href":"https:\/\/www.tunaespana.es\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10968"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.tunaespana.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10968"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.tunaespana.es\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10968"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}