{"id":1701,"date":"2011-06-13T17:43:45","date_gmt":"2011-06-13T17:43:45","guid":{"rendered":"http:\/\/www.tunaespana.com\/wp\/?p=1701"},"modified":"2023-08-19T13:18:21","modified_gmt":"2023-08-19T11:18:21","slug":"candombe-para-jose","status":"publish","type":"post","link":"https:\/\/www.tunaespana.es\/?p=1701","title":{"rendered":"Candombe para Jose ,Acorde Guitarra, Letra Tabladura, Cancionero Tuna, Folclore Andino"},"content":{"rendered":"

<\/h1>\n

Candombe para Jos\u00e9<\/span><\/h1>\n

\u00a0\"TunaEspa\u00f1a,<\/a><\/p>\n

Autor:\u00a0Roberto Ternan<\/tt><\/strong><\/span><\/p>\n

Interpretan: Illapu, Los Tucu tucu<\/span><\/p>\n

Tuna Espa\u00f1a (Don Dudo) \u00a0 \u00a0 www.TunaEspana.com \u00a0 \u00a0www.TunaEspa\u00f1a.es<\/span><\/p>\n

Ritmo: Candombe<\/span><\/p>\n

[Tube]https:\/\/www.youtube.com\/watch?v=NFGQz0ybhCY[\/Tube]<\/span><\/span><\/span><\/p>\n

\n

El\u00a0candombe<\/strong> es una manifestaci\u00f3n cultural,\u00a0originada a partir de la llegada de esclavos de Africa,\u00a0reconocido por la UNESCO\u00a0como Patrimonio Cultural Inmaterial de la Humanidad.<\/span><\/p>\n

\u00abCandombe para Jos\u00e9\u00bb<\/span>, del argentino Roberto Tern\u00e1n, fue de los temas m\u00e1s populares en los campos de detenidos de Pinochet.<\/strong><\/span><\/p>\n

Como explican los ex presos que hablan en este especial, era cantada en distintas ocasiones: cuando llegaba un nuevo prisionero o alguno sal\u00eda en libertad, para iniciar y terminar presentaciones art\u00edsticas, o para darle \u00e1nimo a alguien que era torturado o recib\u00eda un castigo.<\/span><\/p>\n

Roberto M\u00e1rquez, l\u00edder del grupo Illapu, cuya versi\u00f3n de la canci\u00f3n fue la que populariz\u00f3 el tema en Chile.<\/span><\/p>\n

\u00a0<\/span><\/p>\n

[Tube]https:\/\/www.youtube.com\/watch?v=Ckg__Wx_vSU[\/Tube]<\/span><\/span><\/span><\/p>\n

\u00a0<\/span><\/p>\n

 <\/p>\n

A\u00a0\u00a0 Bm\u00a0\u00a0 E\u00a0\u00a0 E\u00a0\u00a0 A\u00a0\u00a0 A7\u00a0\u00a0 D\u00a0\u00a0 E\u00a0\u00a0 F#m<\/tt><\/span>
\n Lai lai lai .....<\/tt><\/span>
\n A<\/tt><\/span>
\n En<\/span> un pueblo olvidado, no se por qu\u00e9,<\/tt><\/span>
\n Bm<\/tt><\/span>
\n ni<\/span> su danza de moreno lo hace mover,<\/tt><\/span>
\n D\u00a0\u00a0\u00a0\u00a0\u00a0 E\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 A\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 A7<\/tt><\/span>
\n en<\/span> el\u00a0pue<\/span>blo lo llama<\/span>ban Negro Jos\u00e9<\/span>,<\/tt><\/span>
\n D\u00a0\u00a0 E\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 F#m<\/tt><\/span>
\n a<\/span>migo<\/span> Negro Jos\u00e9<\/span>.<\/tt><\/span>
\n<\/tt> <\/tt><\/p>\n

A<\/tt><\/span>
\n Con<\/span> mucho amor candombea el Negro Jos\u00e9,<\/tt><\/span>
\n Bm<\/tt><\/span>
\n tie<\/span>ne el color de la noche sobre su piel<\/tt><\/span>
\n D\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 E\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 A\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 A7<\/tt><\/span>
\n y es<\/span> muy\u00a0fe<\/span>liz candombean<\/span>do dichoso de\u00a0\u00e9l<\/span>,<\/tt><\/span>
\n D\u00a0\u00a0 E\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 A<\/tt><\/span>
\n a<\/span>migo<\/span> Negro Jos\u00e9<\/span>.<\/tt><\/span>
\n<\/tt> <\/tt><\/p>\n

F#m\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 C#7<\/tt><\/span>
\n Per<\/span>d\u00f3name si te\u00a0di<\/span>go, Negro Jos\u00e9,<\/tt><\/span>
\n F#m<\/tt><\/span>
\n que eres diablo, pero ami<\/span>go, Negro Jos\u00e9,<\/tt><\/span>
\n C#7<\/tt><\/span>
\n mi futuro va conti<\/span>go, Negro Jos\u00e9,<\/tt><\/span>
\n D\u00a0\u00a0\u00a0\u00a0 E\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 A A7 D\u00a0\u00a0 E\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 A<\/tt><\/span>
\n yo<\/span> te\u00a0di<\/span>go porque\u00a0se<\/span>,\u00a0\u00a0\u00a0a<\/span>migo<\/span> Negro Jos\u00e9<\/span>.<\/tt><\/span>
\n<\/tt> <\/tt><\/p>\n

A<\/tt><\/span>
\n Con<\/span> mucho amor las miradas, cuando al bailar,<\/tt><\/span>
\n Bm<\/tt><\/span>
\n y el<\/span> tamboril de sus ojos parece hablar<\/tt><\/span>
\n D\u00a0\u00a0\u00a0\u00a0 E\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 A\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 A7<\/tt><\/span>
\n y<\/span> su\u00a0ca<\/span>misa endiabla<\/span>da quiere saltar<\/span>,<\/tt><\/span>
\n D\u00a0\u00a0 E\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 F#m<\/tt><\/span>
\n a<\/span>migo<\/span> Negro Jos\u00e9<\/span>.<\/tt><\/span>
\n<\/tt> <\/tt><\/p>\n

A<\/tt><\/span>
\n No<\/span> tienes ninguna pena, al parecer,<\/tt><\/span>
\n Bm<\/tt><\/span>
\n pe<\/span>ro las penas de sobran, Negro Jos\u00e9,<\/tt><\/span>
\n D\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 E\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 A\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 A7<\/tt><\/span>
\n y has<\/span>ta en\u00a0el<\/span> baile las\u00a0de<\/span>jas, lo se muy\u00a0bien<\/span>,<\/tt><\/span>
\n D\u00a0\u00a0 E\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 A<\/tt><\/span>
\n a<\/span>migo<\/span> Negro Jos\u00e9<\/span>.<\/tt><\/span>
\n<\/tt>
\n<\/tt> <\/tt><\/p>\n

Perd\u00f3name si te digo...<\/tt><\/span><\/p>\n

\u00a0<\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Candombe para Jos\u00e9 \u00a0 Autor:\u00a0Roberto Ternan Interpretan: Illapu, Los Tucu tucu Tuna Espa\u00f1a (Don Dudo) \u00a0 \u00a0 www.TunaEspana.com \u00a0 \u00a0www.TunaEspa\u00f1a.es Ritmo: Candombe [Tube]https:\/\/www.youtube.com\/watch?v=NFGQz0ybhCY[\/Tube] El\u00a0candombe es una manifestaci\u00f3n cultural,\u00a0originada a partir de la llegada de esclavos de Africa,\u00a0reconocido por la UNESCO\u00a0como Patrimonio Cultural Inmaterial de la Humanidad. \u00abCandombe para Jos\u00e9\u00bb, del argentino Roberto Tern\u00e1n, fue de […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[253,39,466,429,465,263],"tags":[2111,856,731,3271,724,721,861,855,1581,722,1475,4785,3223,739,728,726,4370,852,727,853,4765,857,4784,734,752,860,862,887,864,863,737,738,754,723,858,854,859,4865,747,748,745,746,3224],"_links":{"self":[{"href":"https:\/\/www.tunaespana.es\/index.php?rest_route=\/wp\/v2\/posts\/1701"}],"collection":[{"href":"https:\/\/www.tunaespana.es\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.tunaespana.es\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.tunaespana.es\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tunaespana.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1701"}],"version-history":[{"count":10,"href":"https:\/\/www.tunaespana.es\/index.php?rest_route=\/wp\/v2\/posts\/1701\/revisions"}],"predecessor-version":[{"id":38200,"href":"https:\/\/www.tunaespana.es\/index.php?rest_route=\/wp\/v2\/posts\/1701\/revisions\/38200"}],"wp:attachment":[{"href":"https:\/\/www.tunaespana.es\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1701"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.tunaespana.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1701"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.tunaespana.es\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1701"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}